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I'm very happy to say that last week my long poem "It–subject" (2018) was published in the poetry and poetics journal Jacket2 ...

I am artist-in-residence at ISELP ( Institut Supérieur pour l'Étude du Langage Plastique ) in Brussels from 15 April through end of Jul...

In 2018, I was commissioned by Berlin-based artist Laxlan Petras to write about his work Gala Day . I had written a review for frieze of t...

Written in response to Camilla Wills' solo exhibition Tonight , Gaudel de Stampa , Paris, 21 March – 18 May 2018 The possibility of a ...

I worked as stenographer for artist Marie Lund's reading of Hip Height , presented as the third edition of Spoken Word Gallery on 9 Sep...

I was commissioned by artist Julia McInerney and curator Toby Chapman to produce an essay on McInerney's work for her solo show The Gar...

I read my text Why I Hate Translation, or, Reading Lisa Robertson Through Another (originally published in How To Become A Body Double , Th...

I was invited by Berlin-based curator Joel Mu to participate in his project space M.I/mi1glissé 's contribution to the 2018 edition of t...

I was invited by typographer Ludi Loiseau to participate in the annual "Livres Parlés" (Spoken Books/Books Speaking) event at Erg...

"A writer who had found his own voice presented a viewpoint. Created meaning. The writer took a certain amount of language, verbal mate...

I was invited by Margaux Schwarz to participate in the 24-hour overnight event Aftertaste , held from 6pm to 6pm at Établissement d'en ...

Back in October 2017 , EFFE (myself and artist-designer Ella Sutherland ) launched the curated exhibition Lit , featuring the work of four ...

My first art prize, on 2 February 2018 I was awarded a "Pot" for the annual event "The Pots of Établissement" - the Étab...

Last year I was invited by the Brussels project space feeelings (artists Camille Gérenton & Anouchka Oler) to contribute to their event...

I was invited to contribute a text to the 2017 Bâtard festival reader, "Into the Pores of the Brain". Held at Beursschouwburg...

I contributed some artist pages to the third issue of the Narrm (Melbourne)-based journal Dissect , which was launched way back on 6 April 2...

I worked as copy editor on this crucial reference book for post-Cold War art and politics, Former West: Art and the Contemporary after 1989 ...

On 12 September 2017 , the latest How To Become magazine, published by DQ Press, was launched at The Cheapest University , Carreau du Templ...

At the invitation of Roxanne Maillet , on Tuesday 11 April 2017 I read 'Joan of Arc' at the third Cave Club , "Reading As Comm...

'... this understanding of the working subject as a commoditised object stems from the experiences associated with proleterianisation; n...

I was commissioned to write an essay for the catalogue of HERE&NOW17: New Photography , an exhibition of contemporary non-Indigenous Wes...

For the 80th issue of Australia's Art Collector magazine, to acknowledge the 35th anniversary of Art Brussels, I wrote five short texts...

In 2016, I had an exhibition at Berlin-based curator-run space M.I/mi1glissé . The opening was Wednesday 24 February and the show ran thr...

I wrote a text titled "vacant lot half dozen" for Portuguese artist Nuno da Luz 's solo exhibition RWSNK ECHOS at Kunstraum B...

"This should not surprise us, given that the Feuerbachian project of humanist essentialism proceeds by installing Man in God’s place bu...

In early December 2016, I was in Amsterdam for part of the finale of If I Can't Dance, I Don't Want To Be Part of Your Revolution ...

The Brussels launch of curator Francis McKee's book How to Know What’s Really Happening was held on Monday 20 February 2017 , from 7pm,...